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Where to watch "La oferta"

10. Brains and Balls

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"The Godfather" earns rave reviews and shatters box office records; drama unfolds at the 45th Academy Awards; Ruddy looks to the future and his next project.

9. It’s Who We Are

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With the production facing challenges filming in Sicily, Ruddy leaves to help Evans; post-production disputes with Lapidus threaten Coppola’s vision for the edit, causing Bettye to think about her next move.

8. Crossing That Line

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Following the bloody aftermath of the rally, Gallo threatens the film's budget as Ruddy fights to protect the funding; Evans spirals out of control as his marriage ends, allowing Lapidus to capitalize.

7. Mr. Producer

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Dissatisfied with the footage, Lapidus plans a coup; Ruddy creates a plan to save both Coppola and Pacino’s jobs; Carlo Gambino questions Colombo’s leadership as he holds another large rally.

6. A Stand Up Guy

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Ruddy deals with the fallout of a press conference; Evans creates a plan to save Paramount; Bettye takes action after the first day of filming is halted due to Gulf & Western, Paramount and the mafia.

5. Kiss The Ring

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Ruddy and Bettye fight logistical nightmares with the film shoot quickly approaching; the mob ingrains itself in the making of the film; tensions rise between Colombo and Crazy Joe Gallo.

4. The Right Shade of Yellow

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Marlon Brando and Al Pacino are in talks for leading roles; Ruddy picks between Evans and Coppola; Ruddy gains the support of Colombo.

3. Fade In

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The pressure is on for the script to get delivered after Ruddy meets Colombo; Evans gets into a difficult situation with Gulf & Western CEO Charlie Bluhdorn.

2. Warning Shots

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With Francis Ford Coppola and Mario Puzo penning the script, Al Ruddy and Bettye McCartt confront a list of people opposing the film; Robert Evans and Barry Lapidus argue over Paramount's direction.

1. A Seat at the Table

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After leaving the Rand Corp., Al Ruddy sets out to produce "The Godfather" for Paramount; Joe Colombo, a rising crime boss in the NYC Mafia, has a darker fate in mind for the film.

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