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Final Analysis

  • 1992
  • R
  • 2h 4m
IMDb RATING
5.9/10
16K
YOUR RATING
Kim Basinger and Richard Gere in Final Analysis (1992)
Home Video Trailer from Warner Home Video
Play trailer1:53
1 Video
61 Photos
Erotic ThrillerDramaThriller

A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both.A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both.A psychiatrist becomes romantically involved with the sister of one of his patients, but the influence of her controlling gangster husband threatens to destroy them both.

  • Director
    • Phil Joanou
  • Writers
    • Robert Berger
    • Wesley Strick
  • Stars
    • Richard Gere
    • Kim Basinger
    • Uma Thurman
  • See production info at IMDbPro
  • IMDb RATING
    5.9/10
    16K
    YOUR RATING
    • Director
      • Phil Joanou
    • Writers
      • Robert Berger
      • Wesley Strick
    • Stars
      • Richard Gere
      • Kim Basinger
      • Uma Thurman
    • 62User reviews
    • 28Critic reviews
    • 40Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 4 nominations total

    Videos1

    Final Analysis
    Trailer 1:53
    Final Analysis

    Photos61

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    Top cast35

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    Richard Gere
    Richard Gere
    • Isaac Barr
    Kim Basinger
    Kim Basinger
    • Heather Evans
    Uma Thurman
    Uma Thurman
    • Diana Baylor
    Eric Roberts
    Eric Roberts
    • Jimmy Evans
    Paul Guilfoyle
    Paul Guilfoyle
    • Mike O'Brien
    Keith David
    Keith David
    • Detective Huggins
    Robert Harper
    Robert Harper
    • Alan Lowenthal
    Agustin Rodriguez
    Agustin Rodriguez
    • Pepe Carrero
    Rita Zohar
    Rita Zohar
    • Dr. Grusin
    George Murdock
    George Murdock
    • Judge Costello
    Shirley Prestia
    Shirley Prestia
    • D.A. Kaufman
    Tony Genaro
    Tony Genaro
    • Hector
    Katherine Cortez
    Katherine Cortez
    • Woman Speaker
    Wood Moy
    Wood Moy
    • Dr. Lee
    Corey Fischer
    Corey Fischer
    • Forensic Doctor
    Jack Shearer
    Jack Shearer
    • Insurance Consultant Doctor
    Lee Anthony
    • Judge
    Derick Alexander
    Derick Alexander
    • Ambulance Attendant
    • Director
      • Phil Joanou
    • Writers
      • Robert Berger
      • Wesley Strick
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews62

    5.915.9K
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    Featured reviews

    trpdean

    Just excellent

    A wonderfully twisty unpredictable plot, very appealing actors and beautiful actresses, great music, tremendous suspense again and again - this is a whale of a movie.

    Time and again, I was completely bowled over by the plot developments - and the climax is frankly better than any I can think of in any Hitchcock movie outside of The Man Who Knew Too Much.

    I just loved it. I really disagree with the previous reviewer about the friendship between the psychiatrist and lawyer - one sees it all the time. Remember Gere is NOT the treating or testifying psychiatrist for any woman accused of any crime - and the friendship between himself and the lawyer is a very common phenomenon in criminal cases. (I've been a lawyer in quite a number of them).

    Perhaps the most fascinating - because so wonderfully understated - matter is the change in Gere's morals over the course of the movie - they go to pieces as we find him lying to people, arranging for thieves to hide evidence, etc. yet it's completely believable and interesting.
    8NoName1989

    Good film! absolutely underrated!

    I don't really understand why this film has such a low rating. Most of the movie is very good. The story, the acting and the cinematography are very good. The story also has a lot of plot twists and the acting is very good. The screenplay is quite intelligent. Only the end is a bit less good, and that's a pity, because this could have been a masterpiece. The end is a bit stupid. Phil Joanou did a good job directing this film. It's a pity this film doesn't get a higher rating on IMDb. Richard Gere, Kim Basinger and Uma Thurman do a good job too. I recommend this film. It's not a masterpiece, but it's certainly not bad.
    hans101067

    Hitchcock Style Thriller Based on Unethical Clinical Practices

    It might help to explain points of my review by giving some background information.I am a counseling psychologist and psychotherapist,with 20 years experience.Watching this film initially,in February 1992,almost contributed to a heart attack.Whoever did the screenplay to this atrocity hadn't the faintest idea of what constitutes appropriate clinical practice.Dr.Isaac Barr muffs the handling of this case from the onset.One wonders as to how he got through his psychiatric residency,let alone his training analysis,supervised cases,and what was going on in his personal analysis at this time?The pathological antics indulged in in this film would cause anybody else to get into serious trouble BIGTIME with the local psychoananlytic association,the American Psychoanalytic,the American Psychiatric,the AMA,and the State Board of Medicine.People have had licenses suspended for less.Where do we begin the critique?Let's start.A woman enters into Barr's office one night,claims to be a client's sister,and starts pumping Barr for information.He complies with her request.Now wait a darn minute-if I came into the office,claimed that I was the sister(I am 48 years old and have a full beard),would he give me the same courtesy?I seriously doubt it.You never release ANY information without having the client sign a specific release of information,with details as to who the data is going to.Barr could get sued out the wazoo for a stunt like this-and he'd deserve it.Then he and Heather go out to have coffee and discuss the case.You NEVER engage in professional activities outside of the work setting-your malpractice insurance won't cover it,and if something should go awry,won't assume any financial liabilities.Then,Barr and Heather end up making love-but it isn't love.This is not a relationship between equals,it's countertransference getting out of hand.She's extremely vulnerable emotionally(not really,but you're led to think that she is)and it is Barr's responsibility not to exploit a needy person.The onus is on the therapist to respect the boundaries.Barr is acting on his pathologically needy state,rather than reflecting as to what is going on.Dr. Lowenthal,upon being made aware of this situation,should have insisted that Barr re-enter therapy at once,and establish a supervisory relationship pronto.Noncompliance would involve informing the authorities.The Freudian psychoanalysts are very careful about not contaminating a therapeutic relationship,and this involve getting involved with family members of their patients.Barr should have refused to have anything to do with Heather AT ONCE.I wonder if the screenplay writers wanted to do a hatchet job on the psychiatric profession.
    6gridoon

    Watch out for the secondary characters

    I just watched this movie again, after having seen it twice before in 1996-97. It has held up pretty well. It steals a lot from Hitchcock (the "I had the dream again" key phrase from "Rebecca", the superficial psychoanalysis from "Marnie", the setting of the climax from "Vertigo"), but Phil Joanou's direction is farly static - until the last 20 minutes. The two leads, Gere and Basinger, do a solid but routine job in their roles; it's the secondary characters who give this film a life of its own: Eric Roberts (an outstanding performance) as the edgy husband, Uma Thurman as the patient (whose character is the only one who remains an enigma right to the end), the detective who keeps making insinuations, Gere's colleague who gets panicky when he has to testify, etc. If nothing else, Joanou shows a talent for allowing his actors to do their stuff. (**1/2)
    4moonspinner55

    Sub-Hitchcockian balderdash...

    Richard Gere and Kim Basinger reunite from 1986's mediocre "No Mercy" for this outlandish, just-as-shallow would-be murder mystery. Occasionally enjoyable, fruity concoction concerns psychiatrist Gere becoming involved with two sexy sisters who are hoping to formulate the perfect murder plot. Lots of story twists, each one more preposterous than the last, but with a slick production and a fine climax atop a lighthouse. Gere looks a bit ill-at-ease, but Basinger and Uma Thurman are both very good. Eric Roberts is eliminated early (a plus), but Keith David flounders in the hopeless role of the detective on the sisters' trail. For viewers in the requisite silly spirit, not too bad. ** from ****

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The medical name of the illness that Heather Evans (Kim Basinger) was said to have in the film was "pathological intoxication" which is a true real-life medical disorder that can exist. Also known as "pathological alcohol intoxication", according to M.H. Hollender in the Journal of Clinical Psychiatry, the condition "appears as a diagnostic term in DSM-II and DSM-III, is defined in a psychiatric dictionary and is described in several textbooks".
    • Goofs
      When Heather jumps in bed with Isaac her hair is curly, but afterward is perfectly straight.
    • Quotes

      Isaac Barr: [realising the truth about Heather's troubled childhood] It was 'YOU' your father RAPED! 'MORE' THAN ONCE! You couldn't take it could you? You just snapped!... and then you killed him! That night as he was passed out on the sofa soaked in booze... all you had to do was strike a match!

      [sympathetically]

      Isaac Barr: Maybe your father deserved to die! Maybe Jimmy deserved it too!

      [Heather briefly breaks down in tears]

    • Connections
      Edited into The Green Fog (2017)

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    FAQ20

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    Details

    Edit
    • Release date
      • February 7, 1992 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Остаточний аналіз
    • Filming locations
      • Powell Library, UCLA, Westwood, Los Angeles, California, USA(As San Francisco: Barr goes to check Freud's works in library.)
    • Production companies
      • Warner Bros.
      • Witt/Thomas Productions
      • Roven-Cavallo Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $32,000,000 (estimated)
    • Gross US & Canada
      • $28,590,665
    • Opening weekend US & Canada
      • $6,411,441
      • Feb 9, 1992
    • Gross worldwide
      • $28,590,665
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 4m(124 min)
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
    • Aspect ratio
      • 1.85 : 1

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