The Naked Civil Servant

This was broadcast on American TV (with absolutely no fanfare) on one summer night in the late 1970s. I was just idly switching channels and started watching by accident. It's a movie about Quentin Crisp--a gay man who came out in the 1920s. He introduces the film and then it starts--done in documentary style it traces his life. The first image is of him as a young boy dressed in woman's clothes admiring himself in the mirror. I've never had a desire to wear women's clothes, but being a closeted high school kid when I saw this it had QUITE an effect on me.

The film follows his life, how he found others like him and his fame and fortune. It doesn't sugarcoat things--he comes across as vain and pompous sometimes and he is very brutally threatened in one scene. Still it shows how he survived and lived life on his terms. It was liberating--for me at least. Remember--this was the era when "Boys in the Band" was considered an accurate representation of gay life!

This was WAY ahead of its time--for TV. I'm shocked that it was even SHOWN on American TV (albeit VERY quietly--and late at night). John Hurt is superb in the title role--he sounds, looks and acts like Crisp did! An excellent TV movie--still relevant today and beautifully done. A 10 all the way.

"Do you intend to spend your entire life admiring yourself?" "If I possibly can." Oh Quentin, you came and you gave without taking. Unless he was taking the michael, which he did, you know, from time to time, in the most wonderfully poised and self-effacing manner. It's not hard to see why this was voted number 4 in the BFI's TV 100 poll: in two words, John Hurt - giving the Bafta-winning performance of his career as the "stately homo of England", enduring the catcalls, pratfalls and furtive dalliances which were the staples of gay life during the pre-and-and-post War years - virtually another planet compared with today's (allegedly) more tolerant society. The legal alien is terribly missed.

I had the good fortune to meet the late Quentin Crisp several times. This film is a delightful and moving story of his evolution as a human being.

Like Oscar Wilde, he was the brunt of jokes and nasty stories because he dared to be himself -- and, to use his own word, a very "autre" self indeed. John Hurt does a wonderful job showing us the spirit of a man who didn't grovel to the conventions of society and dared to give the world a free spirit.

The ironic conclusion of the film is an observation by Crisp himself that the "autre" which was once his alone became the commonplace of the late 1960s and early 1970s.

This is an unusual film worth seeing for the performances as well as for its lessons in living. We are who we let ourselves be. We can be who we desire to be, or we can surrender to the drab molds of the society around us.

The pejorative insult to someone a bit gay at school in my day was calling them Quentin. I suppose that was a sign that Quentin Crisp had made it big into the national consciousness.

I actually have vague memories of watching some of The Naked Civil Servant when it was first broadcast. I was far too young to understand what it was all about.

There was so much ballyhoo about the show. That my parents must have switched it on to watch and were presumably appalled at what was being broadcast.

Quentin Crisp himself appears in the introduction and the end to this television movie made for ITV. It features a tour de force performance from John Hurt as Quentin Crisp. It is a brave bravura acting performance, totally unflinching. If the film was released for the cinema he would had got an Oscar nomination.

It is the story of Quentin Crisp from his time as an effeminate young man in the 1930s right until he enters middle age after World War 2. A flamboyant gay man who had to frequent the underground gay scene in London. On his tail were queer bashers and the police.

Quentin Crisp was open about the beatings he regularly received and the harassment he got from the police.

There is something Oscar Wilde about Crisp, his open pomp and glitz. The film has despite its serious undercurrents a lot of humour and cheekiness.

Almost life affirming, a man who knows he is different and will not shy away from his real self. Despite the criticisms and the violence he encountered.

Directed by Jack Gold it was moves along at a quick pace with plenty of quirky characters that Crisp encounters in his life. There is an element of fantasy about the production as well as brutal realism. Crisp recalls a happy moment on his life when he meets a group of sailors in Portsmouth. It is done in dazzling manner in a sound stage.

This film is the autobiography of Quentin Crisp, a gay man living in the conservative times of 1920's to 1970's.

The story is simple but deep. It portrays It also portrays how people lived in fear and loneliness during those days. A particularly remarkable moment is that, after Quentin's friend is released from he mental institution, his friend pronounced his love for him. Quentin says something to the effect of "This is how lonely he is, and how low I can get". This little sentence means so much. Acting by John Hurt is excellent. This film is really quite remarkable, as homosexuality was still considered as a mental illness back in 1975.