Midnight Mary

Midnight Mary is the story of a girl who grows up poor, gets involved with people on the wrong side of the tracks, and tries to get out. The film opens and closes with Mary in a court room awaiting the verdict in her trial for murder.

Loretta Young plays Mary; Young is absolutely beautiful and proves to be a great actress in all of her scenes.

Ricardo Cortez plays her gangster boyfriend well enough. He is appropriately sinister at times and average in others.

Una Merkel plays Mary's best friend, a cute and funny smart-cookie type.

Franchot Tone is standout in this film, especially in his romantic scenes in which the kisses are long and passionate, the looks are meaningful, and the chemistry is hot and thick. Otherwise, Tone is sweet and lovable as always.

This film was beautifully photographed and employed great costuming resembling both late 1920s and early 30s styles.

This film was made before the production code that censored everything that came out of Hollywood, so it utilizes many racy scenes. One occurs when Young and Tone blatantly talk about the possibility of sex, another when the far from stiff kisses last longer than three seconds, another when Young whispers dirty things into Cortez's ear, and still another when a girl gets pregnant out of wedlock. There is also some abuse shown.

The ending of the film is very satisfying and concludes a great film.

Ordinarily I do not tolerate soap operas well, and "Midnight Mary" is certainly one of these. Commonly referred to as a 'woman's picture', a soap is generally long on talk and unwind at ice-cutter speed. But this picture is different, more of a melodrama with good pacing and acting throughout, and with a thoroughly absorbing screenplay as well.

Director/Social Commentator William Wellman hits the mark with an MGM production that has a gritty Warner Bros. flavor to it. It is Loretta Young's picture and she delivers, with help from a surprisingly strong performance from Ricardo Cortez and from the dependable Franchot Tone. Mention should be made of the effective, haunting theme music by Dr. Wm. Axt, who supervised many MGM scores in the '30's.

Still very worthwhile although somewhat dated nowadays, its essential social message is intact. Well done all around. I gave it a rating of 8 and felt the film earned every bit of it.

This Review is worth an 11 for the gowns, 8 for the rest. Loretta in Adrian's clothes was a knockout...I have seen this movie twice on that wonderful TCM and that beaded skullcap hat still makes me marvel...it takes a pretty face to pull that one off. Story is interesting enough but the actors were really perfect for this big little movie. Ricardo Cortez was at his sexy handsome smarmiest..Franchot Tone was at his great kind, rich and wimpiest and sweet Loretta held the whole shebang together and I cannot imagine anyone thinking/saying she wasn't right for the part. Plus, if clothes make the man then clothes really make the woman... Now about the story...Loretta of got a few bum raps along the way, love, etc., but wait, just spend 75 minutes and judge for yourself.

A ravishingly beautiful 20-year-old Loretta Young is "Midnight Mary" in this 1933 melodrama directed by William Wellman. The film also stars Ricardo Cortez, Franchot Tone, and Una Merkel. Young, on trial for murder of Cortez character, a gangster, is waiting for the jury to come in. She tells her story in flashback. Down on her luck, recently out of prison, she meets Cortez, becomes his girl and gets the easy life. One night, during a shooting, the wealthy Tone helps her escape. After she receives secretarial training, he gets her a job in his law firm. But her past catches up with her.

Loretta Young is stunning and her clothes are fantastic. She gives a very good performance. Since it's a pre-code drama, there's talk of sex, suggestive scenes, and the women get slapped around.

Very entertaining and absorbing, with Young a class act all the way.

Wow! What a movie! Definitely one of the best Pre-Codes I've seen. Swiftly paced, perfectly edited, with Loretta Young at her most beautiful and giving one of her most believable and honest performances.

After seeing many of Loretta's films from the early 1930s, now I think that she gave her best performances in this period of time. There is a quality of freshness and naturalness, that gives much more truth to Loretta's portrayals in the early 1930s than to her interpretations of the late 1930s and 1940s, with few exceptions. Besides, those huge, beautiful eyes of hers, that smile, those apple cheeks, that slender figure so perfect for those early 1930s gowns, never looked better than in this period.

Here she impersonates a doomed girl, who's known all the ugly aspects of life; the film begins when she's being tried for murder. The movie is told via-flashbacks and depicts how she got into this situation. It's so strange that this picture was produced by MGM; it could have been perfectly done at Warner Brothers. Well, the director, William Wellman, had been making lots of films on the Warner lot (Loretta as well), so he must have put much of the Warner's "Touch" and "mood" into it, perfectly blending it with MGM's gloss and top production values.

Ricardo Cortez is excellent as the "aparently" suave gangster in love with Loretta and Franchot Tone is aptly cast as a society lawyer who falls for her. An excellent cast of supporting actors include Una Merkel, Warren Hymer, Martha Sleeper and those usual reliable butlers: Robert Greig and Halliwell Hobbes.

I found this film so entertaining, so timeless, so modern in many ways. Pre-Code Fans don't dare to miss it!